February is here and we are still weaving along in the Cuff and Bracelet Weave-along on Ravelry. I had initially proposed closing it at the end of January but I think that folks are just getting warmed up! I have to hang my head in guilt as, since finishing the first cuff, I have allowed myself to be completely captivated by my paisley project.
Yes, I am still sampling paisley shapes! I took my own advice from my tutorial on Designing for Double Weave in which I say that once you have traced your pattern onto the charting paper, you should put the original drawing away because you will never be able to exactly replicate it and you will, therefore, always be comparing and feeling that the shape you have charted is not good enough. The problem is that I changed my traced shape and re-drew and reshaped and changed it again and again to the point where I had completely altered it. It no longer looked like the classic paisley shape and looked like more like a large comma….a large circle with a tail. I had to get the original drawing out to remind myself of the original idea and start all over.
Now I am working on all the little spots and dots that fill in the spaces within and around the paisley shapes and am finding that there is a very fine line between a well-balanced layout and total chaos! I learned the value of a good pencil and eraser….love my palomino Blackwing 602…thanks, Lori for putting me onto those.
Here’s the latest sample warp. I seem to be in a blue phase…such a nice cooling color in this summer heat. The heddles are made with tatting thread which is a similar girth to the 60/2 silk. They work pretty well together. I am using four heddles simply because my warp thread is so fine and because there are so many ends…360 in the pattern area. Normally when I do double weave, I keep it simple and reduce the clutter by just operating with two sheds. On narrow bands I work much faster that way with just two basic sheds.
Participants in the Ravelry Weave-along have been producing some gorgeous things.
Here is Katherine’s first weave-along band cut into two for two potential bracelets. They came out a little too wide for her hardware and so we will see if she comes up with another idea for transforming these bands into bracelets. She used the Andean Pebble Weave structure to create her patterns.
I love the way Jan posed her cuff for this picture. She wove a pattern in a supplementary-warp structure. She used a technique for the closure which is used by the Mayoruna people of Peru as described in this issue of The Weaver’s Journal.
I might use this now as an excuse in this New Year to remind you of my latest e-book which is available from Patternfish.com….A an edition in German is under construction.
It is aimed at ”experienced” band weavers by which I mean that you need to know how to warp and set up your loom of choice and weave warp-faced plain-weave bands. It’s as simple as that!
Below, you can see Rosemary’s band. She is working from my book too and is using a combination of linen and cotton.
She’s working on a backstrap loom, has wound a long warp, and hopes to get several bracelets from it.
While Katy-cat awaits the arrival of her jewelry findings and ribbon clamps, she wove a pretty plain-weave band and made her first bracelet. She is not crazy about the lobster-claw clasp. Admittedly, it takes some practice connecting bracelets with those kinds of clasps with just one hand. I have it down now. 🙂
Here’s Kathrine’s next warp…so soft and pretty…
Ooh and I just spotted some progress on this warp…this is Knit Picks Curio cotton, by the way…
My inbox brought me some lovely work by Janneke with star patterns from my second book…
And now she is using a rigid heddle with her backstrap loom to create this…
Carlos wove this elegant cotton piece. It is such a gorgeous combination of subtle color and pattern…
And here is one of his latest projects. I love seeing other people’s set-ups. I see a nice coil rod in place there.
Winding wide warps with perfectly even tension is always a challenge. I have my way which involves warping in sections. I don’t allow the threads to climb up too high on the warping stakes so that I don’t risk having the stakes lean in. Carlos is experimenting with different ways and is interested in a set-up that he has seen in videos on warping in Mexico, a system which is also used in some communities in Guatemala. My teachers in Guatemala used a system of spaced vertical stakes. He showed a screen shot of the warping board and is interested in building one of his own….