If you read my Boomerang Effect blog post a few weeks ago you will know that my first attempt to get back home to Bolivia after my Sydney visit was not successful. On the second attempt the boomerang sailed over the Pacific Ocean and all the way across the USA, showing no signs of returning to its place of origin, until… it hit a palm tree in Miami and got hung up there swinging around in circles.
I can think of worse place to get stuck for a few days but when you have been away for three months all you want to do is get home! The airport was lively and colorful with large tv screens showing Wimbeldon and the FIFA World Cup. Enthusiastic crowds of all nationalities gathered around. It passed the time. Of course, it would have been a whole lot jollier if the USA hadn’t lost its football match.
I tried to be productive, sat down with my laptop, and poured out the entire Table of Contents for my third book. That felt like an enormous hurdle. Then came a list of all the pictures that need to be taken for each chapter. That done, I was all the more eager to get home and get stuck into it.
In the end, I bought a ticket on the Bolivian airline BoA (Boliviana de Aviacion) who had recently added Miami to its system and was offering very good fares, free checked bags, and some of the best Economy Class airplane food I have had in ages.
The coolest thing about BoA was the flight attendant uniform.
They each had a handwoven warp-faced cotton pick-up patterned band made by weavers from the Bolivian lowlands sewn to their pants…very cool!
I had left my brother’s place in Sydney at 9am on Monday and got to my door at 9pm Thursday (Sydney time). It was quite a trip! The jet lag was huge. I have finally reached the point where I can eat lunch without falling asleep in my plate.
The BoA uniforms with their woven bands had stirred me into a longing to be home and back at my loom.
Killing time in the souvenir and Duty Free stores in Sydney airport had already given me guilty reminders of the abandoned project on my backstrap loom at home awaiting my return….here’s one item…
I hadn’t packed it away and had simply covered it over wth a sheet. There it lay on the floor with the various shuttles, swords and pick-up sticks that I had been using to weave this double weave with its multiple heddles. It took a me a little while to get back into the rhythm to follow the sequence in which I had been putting all those tools to use…
Now I have finished the main design and am weaving a “‘fringe” of sorts. I divided the fringe into seven sections and am weaving each separately in double weave. I need seven inches of ”fringe” to complete the panel and have just reached halfway. Each section will be a different length with the center one being the longest and the two outer ones the shortest, creating a stepped effect. Years ago, my brother had sent me a picture of a Native American piece in a London museum that had been finished this way and I have been wanting to do that myself ever since.
I hope to create two outer panels with this twine using a structure that includes warp-twining that is used by lowland weavers in Peru to make wristlets. The outer panels will be a quiet solid dark red so as not to clash with the crazy busy-ness of the center panel. The three panels will then be joined together across the top with weft twining. There is a long way to go before I get to that point. Much sampling with the hemp twine needs to be done first.
This will be the second piece of three in the second series of red-black-and-white hangings. That’s the first piece above left.
Things to come…exciting! There are a couple of varieties of hemp twine in tis picture along with an example of the wristlet structure. You can also see the super fine bamboo reed that I bought at CNCH, now removed from its heavy frame and ready to be used on my backstrap loom. I can’t wait to try it out with some silk. The cone of white thread is the 20/2 perle cotton that I want to use for the third wallhanging…an ikat piece…and there’s some of the black dye that I’ll use for that. I am not sure if I will have time to get that started before I have to leave again but I am happy to have more time in which to ponder that one. I seem to get some of my best ideas while sitting on planes!
Then there’s the gorgeous 60/2 silk that I got at CNCH waiting to be used as supplementary weft. The large skeins of silk were given to me by my friend Susan in Sydney. It’s a heavier weight silk than the Redfish Dyeworks skeins and I am thinking of using it as the warp for a brocade project.
The project ideas go piling up. You can probably tell that I am pretty excited about being home again.
My weaving friends in Sydney remain in mind. Emerald has been sending me updates on her progress as she weaves off all the projects that we started in our two days together…
That lovely green warp is now a piece of Andean Pebble Weave patterned fabric ready to be made into a cell phone pouch. That’s my second book that she has opened on the floor. I was showing her how to read the spotted charts. That particular motif also appears in the first book.
Here she is weaving and sewing a tubular edging to the pouch.
One of the good things about having to stay longer in Sydney than expected was that I got to visit with the Springwood group of weavers again up in the Blue Mountains at Helen Halpin’s place. What a lively and enthusiastic group of weavers! They meet once a month and there is always a lot of show-and-tell.
Yvonne, who had taken my Andean Pebble Weave class a couple of weeks earlier, brought in a band that she had since warped and woven. She had played about and created some of her own patterns. I love that! What was also interesting was that she had used bamboo thread. I have never considered using it as I had always thought that it would be too soft. Yvonne’s band felt lovely.
In the Ravelry group, Kim has been progressing with the two-color simple warp-float technique while copying as well as adapting motifs from Central Asian textiles. This piece is beautifully woven and I love the combination of colors. I am surprised at how well that green stands out from that background color….inspiration to be more adventurous with color choices.
Keith has formed a South American band weaving study group at the Weavers’ Guild of Minnesota. One of the members took a class with me at the Mannings last spring and it is nice that they can now study some pick-up weaving techniques together and support each other. Keith posted this picture of some of the first bands with some thoughts of what could be improved. He won me over right from the start with his color choice!
Scott, a Facebook buddy, posted this striking double weave piece that he started some time ago and just finished…
So, here I am back at home. I unpack and put away the yarn and other goodies that I have brought back on this trip. As is my policy when new things come in, old things have to go out…out went the rocking chair this time which opened up a whole lot of space! Even so, the “stick corner” in my bedroom gets increasingly crowded. I brought back a whole bunch of dowels that were being discarded and a couple of shuttles. I need sticks of all kinds of lengths for all kinds of warp widths…cross sticks, heddle rods and coil rods…shuttles and swords. I don’t weave a limited variety of traditional items as many backstrap weavers do and so, I need sticks that are suitable for a vast range of woven widths.
It’s a lot of stuff and I wouldn’t part with any of it! And that doesn’t include the 17 large dowels that I cart around for teaching! Would you believe that there are still times when I can’t find just the right length of stick with the right girth?!
But, the equipment you use can be as complex or simple, as rustic or sophisticated as you want it to be. And it’s always nice to know how to improvise a set-up when there simply isn’t any “equipment” to be found..
For narrow bands, no equipment is required if you have a good set of “magic fingers and toes”!
Maxima tensions the warp between her index finger and big toe. Her fingers are used as cross sticks to form the picking cross and fast flying fingers and thumbs select the colored threads to form her patterns. Her hand is her sword and beater.
When sticks specifically for backstrap weaving are simply not to be found, as is often the case in the very highest parts of the Bolivian highlands, all kinds of other things can be called into play…like the spindles that Hilda is using in place of cross sticks while setting up a warp for double weave. Hilda’s large sticks and rods are saved for her horizontal ground loom.
If I am home and have access to my collection of sticks in their handy bins at the end of my bed, I like to use them. I feel more comfortable with a wide breast beam and a backstrap…a nice wide cushy backstrap….no matter how narrow the warp.
This Mexican weaver from Santo Tomas Jalieza, Oaxaca seems to feel the same way!
So, I will never able to resist grabbing a good stick that comes within reach while I am traveling and bringing it home with me. While there are still things that can be removed from my little home to make space, there will always be room for more sticks!
Finally, I would like to thank everyone so very much who went over to Facebook and ”liked” my nephew Ryan’s triathlete page at my request last week. Someone even posted a “Weavers for Waddington” comment. That was so cool :-) Ryan was very pleased to see all the new “likes”. It really made a difference and he got a new sponsor last week…
If you didn’t get over to Facebook last week to “like’ his page, please help him out by going over now. More “likes” mean more sponsorship appeal, I am sure. I was happy to see so many familiar names there as well as some names I didn’t recognize…people who read my blog but with whom I have not yet connected…many thanks to all of you.
And a reminder to the Aussies out there, I had a few copies of Andean Pebble Weave printed while I was in Australia. If you would like to buy a copy, leave a comment here and I will email you.