I am, however, well on the way to being a seasoned standby traveler and am quite well prepared for such things although I have to say that I was pretty confident about getting my flight to Bolivia last night and, therefore, left a couple of essentials out of my carry-on luggage.
You can see my stranded-stand-by-traveler kit…mini Thermarest self inflating mattress, eye shades and ear plugs, a blankee from home, alarm clock and notebook. The airline gave me six blankets too as this airport is cooled to 60 degrees for some reason yet it is still full of goose-bumped ladies in strapless sun-dresses determined to show off their newly acquired Florida tans.
Once when returning from Guatemala I spent three very restful nights in this airport but MIA admin has come up with a kind of torture in the meantime which has me desperately crossing all my fingers and toes in the hope that I will be out of here on tonight’s flight. Perhaps in an attempt to stop people like me who choose to use the gates as motel rooms, they have chosen to broadcast at ultra high volume the “current local time” every fifteen minutes but only during the night. This means you get to doze for a maximum ten minutes before being jolted awake by the announcement which is preceded by Big Ben-like “bongs”. I may have missed the 4.45am one but that is the only one! So, that alarm clock in my kit…didn’t really need that…and the ear plugs didn’t make a jot of difference. Ah well, all part of the adventure! At least I was warm.
So, let’s catch up…My last wove with my last group of friends in Pennsylvania enjoying the hospitality of Ron and Carol.
They found a great selection of yarns at the Mannings and went home planning to make their own backstraps using Tahki Cotton Classic (which should be used doubled for a sturdy backstrap) and Plymouth Yarn’s Fantasy Natural and also took a selection of luscious colors in the UKI 3/2 mercerized cotton which is a great general-purpose weight for backstrap weaving. We found belt shuttles that make good beaters too and I restocked my “poking stick” supply (the people who wove with me will know what those are!).
I made the three backstraps on the left from Tahki Cotton Classic.The blue used in the one on the right is Plymouth Fantasy Natural yarn..
Here are the ladies having fun and some of the nice color combos that they put together using the UKI yarn.
It was a fun visit at the Mannings and I plan to go back at the end of October.
From there I was whisked away by my friend in lovely Maryland, where there is still a member of the original family after whom the town is named running the local post office. I have a flashback to my first visit with Claudia last year during and after the Maryland Sheep and Wool Festival. I can’t believe a whole year has gone by since then.
And there’s another flashback to last summer when I visited after Convergence. Claudia and David had taken me to see Great Falls which weren’t so “great” at that dry time of year but which were pounding mightily on this visit after snow melt and a particularly wet spring.
Little did I know then that I would get to visit it with Claudia and knitting guild friend Karen, Dave Holly of 4-shaft pvc loom fame and weaver Alice Schlein with husband and photographer Bruce. It was fun meeting Karen and also Dave, whom I had seen online talking about his pvc loom. I had met Alice briefly at Convergence but we know each other online through our blogs and Weavolution.
Melinda gave us a personal tour and Laszlo provided some back stories from his post in the museum gift shop.
And here are some examples of what are categorized as “figured and fancy”:
It was interesting to learn about the introduction of the Jacquard loom which made the “figured and fancy” designs possible. The designs are controlled by punched cards…
Double weave coverlets have the names woven in such a way that when the coverlet is turned over to show its reverse face, the names can still be read on one of the panels.
Melinda with the Jaquard card attachment for a loom. The museum also has a collection of spinning wheels and looms.
One room has been devoted to the processing of flax into linen.
And more of those beautiful coverlets…
I would like to see if I can weave with it on my backstrap loom without any re spinning at all but with the appropriate heddle management skills. It is described as having sturdy durability and sounds like it might do the trick.
I also have some really fine wool yarn that Ingrid from the Santa Cruz CA guild kindly sent me and I can’t wait to experiment with that too.
Note that I haven’t yet tried the Telemark yarn and I am not sure if this experiment will be successful. I will report on that soon.
In the meantime I can enjoy a couple of projects from online backstrap weaving friends….
The creek is crossed in several places by bridges, some of which have been cleverly painted to resemble stone. Some are actually stone and we found ourselves walking up to touch them to see if the stone was real or a painting. It is quite likely that the difference is more obvious in broad daylight with heads not fuzzied by wine! I will leave you with this last image and you can decide…real stone or not?