Amongst other things, I have decided to do a little tutorial this week on cutting backstrap woven fabric and covering the raw cut edge with a protective band.
This is my latest favorite way to create the flap on a bag and I was given the courage to try this when I saw some of the work of my GuaranÍ weaving teacher here in Santa Cruz. She makes cell phone pouches with rounded flaps. I don’t know the steps that Angela takes to create these and so, have come up with my own. Possibly I am a bit over-cautious in my ways, but my system works for me and I am pleased with the results.
Making cell phone pouches is one of my favorite ways to use a piece on which I have been sampling structures or patterns. You can see the different ways in which I have formed the flaps. This often depends on just how much fabric I have to use. The alpaca sample bottom left, for example, is closed with a drawsting as there was not enough cloth to make a flap. The example at top left has a flap that was cut to shape and then covered with a tubular band.
Here are a couple more examples. The flap on the black bag was woven with quite a lightweight fabric compared to that used for the cell phone pouches. The tubular band, therefore was a bit heavy for it and caused the black flap to curl inward giving a concave shape. Asit turned out that actually had its advantages! When the bag is filled with things and takes on a rounded shape, the flap curves nicely around it.
My latest bag project also has a rounded flap which is edged with a tubular band…
However, now it carries an element which has been influenced by Central Asia. Its closure tab was inspired by tablet- woven trim on Uzbek ikat-patterned robes.
I showed you pictures last week of the Uzbek garments that I saw at the International Folk Art Market in Santa Fe NM with their tablet-woven edging bands.
I give many thanks to Ute for writing to me and sharing what she knows about the Uzbek bands as I was about to launch myself onto the wrong path trying to weave one using threads in 4 holes of the tablets. Ute told me that they are created using only two holes. With my limited tablet-weaving experience, I would have been lost without that valuable tip.
The little wristband that I bought at the market is in the center. I changed things a little in my experiments eliminating the dark outer color and altering the way the red stripe was set up. I made a sample in a medium weight cotton to start and then made the final piece for the closure tab on the left. Originally I had wanted to make the entire strap for the bag in this technique but decided that it was a bit too “busy” to play such a major role in this piece which was already highly decorated.
And then I remembered that I had coins from my trips to Nepal back in the 80s and 90s.
The smaller one would do perfectly and would be in keeping with the “subcontinent” theme.
I just had to polish it up and then get creative in finding a way to attach it.
You can see the more subdued strap pattern, above, that I used in the end. I used the same pattern as that on the edging band for the flap.
So, “Tales from the Subcontinent” is in search of a new name. I won’t say that it is finished yet as I am now thinking….Wouldn’t it be cool to have some black and white ikat patterned cloth with which to line it?….a sort of “inner bag” with a drawstring top…
So, now we get to “cutting corners” and transforming a straight-edged flap into a rounded one…
I am using the lavender Andean Pebble Weave fabric that I was on my demo loom during my last trip. I really don’t like it much and decided that I could at least use it for a tutorial…
STEP ONE: Choose the curve…
STEP TWO: Make a template.
STEP THREE: Pin the template to the fabric and sew along the edge.
I sewed by hand and used crochet cotton for the thread. It’s a good thing that beauty does not count! I backstitched from one end to the other and then returned using a running stitch for extra security.
STEP FOUR: Paint diluted white glue onto the stitches.
I used white glue, or carpenters’ glue, carpi cola , as it is known here. I diluted it with water, painted it onto the stitches on both sides of the cloth and waited until it dried before proceeding.
STEP FIVE: Cut the cloth and glue again.
I cut close to the stitches and then applied more diluted glue along the edge of the fabric. The glue goes on white but dries clear. The fabric I am using is dense and I needed to make sure that the glue got right into the weave. As the glue was drying I pinched the threads along the edge together to seal the edge. Once it was almost completely dry, I gave the edge a final trim (this is easier to do when the edge is still damp and supple). You may need to trim some loose weft ends or tidy up the edge a bit. Once it is dry and stiff, it will be harder to make fine cuts.
STEP SIX: Weave and sew your band to the edge.
Now you have a nice stiff secure edge to which you can attach a band. See this tutorial for instructions on weaving and attaching tubular bands.
Judge the width of band needed to bend around the edge and cover the stitches and create a warp accordingly. Note that it is easier and often neater to weave these bands using a heavier yarn and few warp ends than fine yarn with many ends. I used a finer yarn here as I did not have a matching color in my heavier yarns. I used a heavier yarn on my recent black bag project and feel that that band is more attractive.
Make sure that your needle clears the glued stitches on both sides when it pierces the cloth. This way, the stitches will be completely covered by the band. Practice weaving and sewing bands many times on scrap fabric. It takes a while to have them turning out neatly and you don’t want to spoil your good fabric until you feel confident with the technique.
As for what to do with the warp ends when the band is done, I have suggestions for that on the tutorial page.
So, with the black bag finished to the point of being able to use it, I am now supposed to be getting on with the next in the wall hanging series. I had gotten as far as winding the yarn off skeins into balls for warping. And then came a distraction.
I don’t know what it is about arriving home after a trip. I have this urge to get rid of stuff that goes on for about a week. It’s great! It feels so liberating. So, stuff has been given away and ejected. The above piece was the cover of a photo album that I was given.
I removed the album to toss and kept the cloth. It reminded me that it has been a long long time since I last played with three colors in complementary-warp pick-up.
I have done three and four-color pieces (see the header of this blog) which are not double faced.
Here you can see what I mean by “not double faced”. I made this years ago and decided to hang it unfinished on the wall. It also reminds me that I used to get this beautiful fine wool/alpaca yarn when I lived in Chile. I used some leftovers of that yarn when I first came to Bolivia to weave this. How I wish I could get that yarn again.
The piece on the cover of the photo album is double faced. Only two colors show togther on each of the two faces at any one time…color A nd B on the upper face and color B and C on the lower one. It is a bright and jolly piece and I love how the weaver flipped colors for just that one small section along the way…you can see how the yellow eyes on the green suddenly change to a red eye in just that one small part. Whether that is the center of the piece, I will never know as it was cut up to make the album cover.
So, this is what I am playing with and what kept me up past midnight last night. These are the two faces. I wish I could make a smoother transition from the red background to the beige but this defeated me at 12.30am. I suppose it would be easier if my design weren’t continuous. This is a sampler to get my head back around the technique.
Some news… Deb McClintock has started setting up her blog again after losing most of her web page content some years ago in some sort of internet glitch…..heartbreaking. It’s all about simple looms in SE Asia and promises to be wonderful. Deb was invited to lecture last month at the Textile Museum in Washington DC about Laos textiles, looms and techniques. Her new blog is entitled Looms of South East Asia.
And, of course, don’t forget my Australian mate Wendy Garrity’s blog about Asian textiles and looms…Textile Trails. Wendy provided a link in last week’s comments to a picture she took of a notched stick on a loom in Nepal that looks very much like the one I was admiring on the backstrap loom from Myanmar at the Santa Fe Folk Art Market. She was also able to extract more information about the tablet woven bands from the Uzbek representatives at the Folk Art Market than I was!
I will most likely be going back to Sydney for a visit in late November and would very much like to run a workshop and meet other weavers!
The decision to make this trip has been a very recent one which makes getting people together for this a little difficult as it is so close to Christmas.
If you are interested in learning to weave on a backstrap loom with me in Sydney in late November or December, please contact me here. I am open to ideas about group or individual lessons.
I haven’t been back in 4 years and am very excited. I’m looking forward to hitching my loom to a eucalyptus tree and weaving while listening to the magpies and kookaburras.
The kookaburra picture at left was taken by my brother.